Here are a few images of my painting process and time-lapsed videos of my new wave painting entitled “Stormy Emerald Sea”. It measures 100 cm wide and 50 cm high and has a depth of 4cm or 39.5 inches wide x 19.5 inches high x 1.5 inches deep.
This painting is now available on this website, where you will find more details and close up photos of the finished painting a click here
Here is a link to a time-lapsed video showing my painting process click here
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“Multimedia Art Show” featuring
2018 graduates alongside well established artist at TAAG, Teignmouth, Devon.
The young and not so young showcase their latest work. Starts 9th until 15th March 2019. Open 10am – 5pm
Daily. Preview Evening Saturday 9th 6.30pm – 9pm.
A diverse exhibition of seascape, landscape and figurative paintings, prints, ceramics, digital art and video by Devon based artists and recent graduates of the Plymouth College of Arts. This eclectic mix artists makes for an unusual and varied exhibition.
Teignmouth based TAAG prides itself on showing a wide range of local artist and this exhibition is no exception. Exhibiting new work from this year’s illustration and printmaking graduates of the Plymouth College of Arts, animation from Bristol University student as well as a more established Fine Art graduate from the University of Plymouth and landscape, seascape and figurative painters from Teignbridge and East Devon. All welcome. Free entry. Lots to see and original artwork available to buy.
Setting out the composition of my sea storm painting i.e. the combination of all elements in the artwork, not just visual elements, but also the mood and light.
Refining the composition. I find looking at the image from a distance, at least 20 feet away, really helpful. It can show things you have missed working close up. Also taking photos of the work can enable you to see things from a different angle and perspective.
Glazing. I use glazes to enrich the surface to the work. I may return to a canvas several weeks after applying an initial glaze to reapply another if needed. Drying can change to the look of a painting dramatically, so its important to give it time to develop.
Highlights. Once the glaze has dried or sometimes whilst it is drying, depending on the effect desired, I like to go back and highlight the crest of waves or the ripples on the ocean. This gives you a good depth of field.
Having decided to take photos from start to finish of my new wave painting. The first image is stage 1 and the other is the second stage. At this point I find it helpful to look at the progress of the work and decide where I can make alterations. Some of the parts of the canvas to me looked better in stage 1 than they do now. This can alter the way I proceed to stage 3.
I find even if you preferred the way the painting started initially to now you have to keep going. At times it can be frustrating but hopefully the painting will resolve itself. It is important to take photos throughout as this helps you see your progress from a different perspective. Photos can highlight areas obviously in need of more thought.
Just started on a new work today with a preliminary title of “Into the blue”.
I have been looking at the work of Maggi Hambling and her attitude to the sea with its ‘walls of water’. Her use of oil paints and the free reign it gives her is really inspiring. She says “oil paint has a great life force of its own”.
The range of blues and turquoise from photographs of giant waves in the South Pacific has also inspired me.
However a winter sea with its pale green, white and grey can be equally interesting to try and capture.
One of the reasons that I keep returning to the subject of giant waves and their power might have to do with the fact that I was knocked over by a large wave as a young child and hurled into the sand with some force. I clearly remember the mouthful of sand which resulted.
I will add to this post as I progress.
Worked some more on this today. Trying to get the crest right.